Soul With A Sequel
Example 1
Again, one of the patterns seen in the previous page
Example 2
The fourth measure is a possible variation of the pattern
Example 3
One of the rhythmic elements from the preceding pattern
Example 4
The same pattern, played with 16th-notes
Example 5
This exercise serves the purpose of integrating the main basic pattern.
Each bar is played twice
Example 6
The same exercise, played with a hand-to-hand 16th-note ostinato. Note the shifting accents:
© 1997 - Alain Rieder - All musical examples are granted for your personnal use only.
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